vinyl only, white vinyl - supported by radio slave , slam , terence fixmer...
blumoog music label presents the new release, played by one of the most important detroit productors, who marked the minimal techno history: terrence dixon. two tracks, which take a big deal of electronic innovation and inspired by his unique style, will make the night people dance until the sunrise. italian veteran m.r.e.u.x is back again with two innovative tracks as well, which are composed by rare and experimental sounds with analog machines and are ready to be heard. magnificent ep of an extraordinary dj couple. monster track of quality and experience the musical concept is organized for mentality sought people, an approach to this sound out of the ordinary charts, where search for sonority make this ep single and dedicated to the iperclubbing population!!! low wrapping and atmosfere psychadeliche make this ep an precious object for techno electronic lovers! nothing is taken for granted, this is the difference!

includes rhythmetic15 & a mysterious one sided vinyl (rhywhite01).

after releasing the nation techno france lp (featuring voiski, electric rescue, von grall, awb, kmyle pvnv, dngls and lebird) and cdt001 ep by young polish producer bylly, we’re glad to show out a new talent. discovered over a year ago by cdt, this young georgian producer is stepping up with a new atmospheric and contemplative release : cdt002. an ep deeply inspired by nature, georgian culture and its societal changes. newa is a rare sensibility gifted artist creating a music that is just as groovy as it is emotional

das mixtape -baller nation-, des mit dem a$ap mob assozierierten hypemans, von a$ap ferg erscheint nun als limitiertes weißes 180g vinyl.

what attracts us to chilean-born artist ricardo tobar is the notion of intersection, and although fusion is nothing new, as a concept it will always pull our heartstrings. applying influence is amateur, we see this over and over again as we endure trend-driven appropriation of cultures the world over, but the epiphany when an artist finds true synergy between heritage and influence is a pivotal moment that the inspired will seek, even though it may take the length of one’s career to behold. as pretentious as that may sound, it is precisely the hybrid born from that place of intersection that excites us at the esp institute, the a plus b that equals 3. we hear this in ricardos music the latin american instinct in his drums and percussion, sometimes tightly aligned with body movements and other times hauntingly mis-aligned and chaotic, intersects with his rock influence of ethereal (micro) melodies that slowly layer and layer until were climbing a glorious (macro) wall of sound but most importantly we hear where these different parts of his life come together to further create one unique voice. on both sides of his esp institute debut liturgia, tobar couples one pulsing dance-driven track with another atmospheric and immersive track, requiring we educate ourselves in the polarity of this language he’s building, one that will expand to tell a broader story later this year with his debut album. we welcome ricardo tobar, another forward-thinking artist, to the esp institute, and are proud to support any direction his compass points from here, as we believe hell never follow but will always lead.

nothing like an edit is from an obscure acid jazz track that made its rounds in the underground disco scene in chicago. played by veterans like sadar, lee collins & ron trent at clubs like slicks & the b-side café. don t cha wanna get down is a rare groove monster chopped from a funk 45 and kicks off with tights drums, bass licks and crazy synths coupled with some sick brass stabs and a touch of vocals that keeps it all in check and make you wanna get down, get down. played by: rahaan, theo parrish, ron trent, marcellus pittman, jamie 3:26, kai alce , zernell & soul clap.

asc is a perfect fit for silent season, favouring as he does greyscale melodic content and a cerebral approach to mutant techno. cerulean is a fine opening gambit on this 12inch, all crooked kick patterns and micro bleeps calling out into nothing, while dimension 1010 maintains the austere approach with a slow swell of melancholic ambience over a meditative rhythm. enchanted is no less restrained, but there s a subtle shard of light in the murmuring pad that lingers in the background. that s well and truly dealt with on the bleak beatdown molniya, which pings bleakest techno into a black hole of sound, which is of course a wonderful thing to behold.

new years deal - the legendary lidell townsell on the legendary trax label - what s not to like? get the hole might sound like a fairly dubious title for an ep, but it works within the realms of chicago house! released in the golden year of 88, this ep contains nothing but vintage midwest acid grooves! you could argue that the xxx rated message behind lead cut get the hole is an early precursor of what would come out of the chi via dance mania and other associated labels and artists in latter years. rumour has it the track had an impact on the super underground b-more club scene too unsurprisingly! if you like your house music rough, ready & raw then this is for you! warehouse sounds, box jams, it s all here! remastered in conjunction with trax records, fully legit, now is the time to revisit a cornerstone of classic chicago house music, often imitated, never bettered!

new years deal - chicago basement trax flexes its muscles and enlisted the services of one chicago s crown jewels of the underground in the form of one mr. jordan fields. apparently only deep connections in the scene or a history of teenage friendship yields you access to this sort of magic on vinyl! nothing but pure authentic 1980s + a bonus disco dub?! wow! surely at this point chicago basement trax is looking to reenforce their mythology while also stating the obvious. no doubt this is the pure uncut raw from the man with the plan himself so let s see who wants to see the provenance now? want to trip more? rumour has it vincent floyd is coming next. do what needs to be done and get this now.

keeping things on a strictly low key tip comes the second release from instinct, serving up nothing but razor-sharp uk garage for those who love the deeper side of el b et al. together kicks proceedings off with a nagging 4x4 bump and some beautifully mellow melodies, while motion heads into slightly moodier territory without losing that crafty beat programming nous. voodoo is a more bugged out jam with some heavy processing and a preference for atmospheric touches throughout. realise keeps the quality up once more, rounding the ep off with yet more future-minded goodness that should get all switched on selectors reaching for these instinct 12inches again and again.

release nr. 5 of the frankfurt based imprint - vinyl only - nothing more to say... utique!!

a diverse techno e.p, each track suitable for a specific time, place & audience.
everything’s possible, nothing has to be, probably best describes the current selection. while artik brutally transforms the industrial into the techno format, chris moss acid and spaceinvasion ride the 303. the former combines analog-synths with repetitive peaktime-techno, while spaceinvasion interprets this through a sluggish, yet no less brutal, flow. lastly, lucindo scatters nuances of trance. rave!

strut’s acclaimed series of south african music stops in at 1975 to 1985 when the township jive / mbaqanga sound had begun to embrace soul and post-punk and a slew of rock bands following the huge success of homegrown heroes harari. hidden classics from the movers, elias maluleke, kabasa and many more.
180 gram 2x12 lp in gatefold sleeve with cd-copy included.

3 tracks previously available only on cassette compilations, now re-mastered by rude66, expect a load of dark electro / wave / acid madness.

a strong selection of remixes for dj emersons latest album >repetitive music<. johannes heil strips things down and delievers a monotone monster of a track with a heavy and dark kickdrum. yan cook puts the broken beats of >anonymous< straight and transfers it into a throbbing dark and heavy track. markus suckut aka tales of the machines is having one of his most succesful years ever with the release of his album and the uprise of his exile label. this track really shows what his t.o.t.m. moniker is all about. nothing but pure unadulterated techno in the most underground sense. oliver deutschmann delievers a groove driven version of >string theory< great rolling tune with a perfect sound and build-up.

it’s time to celebrate, nothing less than 50 releases spread along 17 years of existence. for this very reason we have planned this awesome remixes pack, split in two ep’s based in the limited clear vinyl pattern series originals.
the second ep features shlømo’s modern approach to textures, rolling subbass, shuffled grooves, micro drones and lush pads comprise the equation. maestro donato dozzy approaches color in an old school way, vintage grooves, acid lines and rude sound mixed with resonant sweeps and sci-fi paraphernalia. chevel offers his own personal view on form, mixing pads and atmospheres with 80’s flavored melodies and weird beats ending in industrial madness, a very unique version.

mit -galvany street- und der kombination aus modernen beats und sounds und 80er und 90er pop-referenzen, gelang booka shade in kooperation mit archive-sänger craig walker anfang 2017 das ambitionierteste werk ihrer karriere und das wichtigste seit ihrem meilenstein -movements- (2006). nun erscheint zum jahresabschluss ein superlimitiertes boxset mit 2xcd, lp, den drei 12--vinylen, sowie einer brandneuen pure audio bluray mit dem vollständigen album plus der extended version eines bonustracks in dolby atmos-mixes. kompatibel für alle bluray-player, erfährt man mit diesem für multikanal-filmsoundtracks entwickelten format eine einzigartige 3d-klangdimension und erhält zusätzlich headphone surround 3d-mixes für kopfhörer und hochqualitative stereo-dateien in 24bit/48khz. das boxset erscheint in edler, weisser vinyl-box mit schwarzer banderole (im original-album-artwork) und ist auf weltweit 300 stück limitiert.
- packaging: weiße stülpdeckelschachtel (316 x 316 x 30 mm) mit schwarzer banderole (im original-album-artwork)

inhalt:
pure audio blu-ray (dolby atmos mixes)
2cd galvany street (ltd. 2cd deluxe edition)
lp galvany street
12- babylon
12- numb the pain
12- loneliest boy/just like tonight

the 2000 album from pearl jam, newly remastered from the original sources by bob ludwig. pressed on double vinyl, housed in a gatefold sleeve.

it’s time to re-engage with your inner peace as yovav follows his previous correspondant cameo (’andiamo’ on ‘compilation 05&#8242,, in case you’re wondering) with this sublime exercise in horizontalism. charmingly balmy, harmonic and hypnotic, this is the sound of yovav bathing us in a gilded sonic sunset. well… it’s not called ‘caribbean zen mode’ for nothing, remix-wise we’re in for a treat as tuff city kid gerd janson lays down a delicious hip-swaying balearic version. delicately layered with glistening guitars, chimes, harps and a rolling percussive groove that opens up into a broken swing while the steady kick matches the slinky, sultry bass notes, it comes complete with its own bonus drum groove for added deep mix creativity. inner peace found, zen mode activated.

7 track 2lp - ukrainian producer vakula, whose name is linked to the early days of arma, re-emerges with techno game. ukrainian producer vakula, whose name is linked to the early days of arma, re-emerges with techno game. the double vinyl features seven confidently-carved tracks that reflect vakulas current exploration of techno landscapes. as the cover suggests, it is a game. the author does little to nothing to explain the rules, throwing the listener into an elegantly structured space that feels alarmingly material. featuring artwork by juli kozyr

mit -more to say versions- erscheint die dub-version von -nothing more to say-, dem debüt der reggae-band the frightnrs aus queens, das nach seinem erscheinen 2016 mit kritikerlob überschüttet wurde. jeder song wurde vom prodzuenten victor axelrod liebevoll auseinandergenommen und neu gedacht. das ergebnis ist ein muss für fans von the frightnrs und von soulvoller musik generell. es geschieht selten, dass ein debütalbum – vor allem in einem polarisierenden genre wie reggae – von allen seiten mit so viel applaus begrüßt wird wie 2016 -nothing more to say- von the frightnrs. vielleicht liegt es einfach daran, dass dieses album genre-grenzen konsequent ignoriert und in keine schublade passt. es ist im wahrsten sinne des wortes ein großartiges album.
-more to say versions- ist ein frischer blick auf einen modernen klassiker. victor axelrod hat jeden song in liebevoller kleinarbeit auseinandergeschraubt und wieder neu zusammengebaut. das fertige album ist ein eigenständiges kunstwerk, ein muss für jeden fan der frightnrs und überhaupt für jeden, der musik mit seele liebt. -more to say versions- ist auf 3000 stück limitiert und mit psychedelischem 3d-cover ausgestattet, inklusive einer speziellen frightnrs-3d-brille, ein downloadcode liegt bei.

music from season 3 of the hbo series game of thrones on 180 gram double vinyl, housed in a gatefold sleeve.

to feel. without it, without love, without anger, without sorrow, breath is just a clock... ticking.

ambiente reise in den winter hinein

limitiertes silbernes heavyweight vinyl in spined sleeve inklusive mp3-downloadcode.
der pop-avantgardist john maus präsentiert sein viertes studioalbum “screen memories”! nach dem erscheinen seines aufsehenerregenden albums “we must become the pitiless censors of ourselves” (2011) ging maus auf ausgiebige tour, veröffentlichte ein jahr später “a collection of rarities and previously unreleased material” und verschwand dann von der bildfläche, um sich seiner akademischen ausbildung zu widmen. nachdem er diese mit dem doktortitel in politischer philosophie abschloss, widmete er sich dem bauen von modularen synthesizern und eigenen panels. gleichzeitig komplettierte er “screen memories” in völliger eigenregie in seinem abgeschiedenen zuhause, der so genannten funny farm in minnesota. der erste vorgeschmack des resultates war ende august mit dem album-opener “the combine” zu hören. darin singt maus mit sonorer stimme und im charmant-elektronischen barock-soundkleid: “it’s going to dust us all to nothing, man. i see the combine coming.”

schwarzes heavyweight vinyl in spined sleeve inklusive mp3-downloadcode.
der pop-avantgardist john maus präsentiert sein viertes studioalbum “screen memories”! nach dem erscheinen seines aufsehenerregenden albums “we must become the pitiless censors of ourselves” (2011) ging maus auf ausgiebige tour, veröffentlichte ein jahr später “a collection of rarities and previously unreleased material” und verschwand dann von der bildfläche, um sich seiner akademischen ausbildung zu widmen. nachdem er diese mit dem doktortitel in politischer philosophie abschloss, widmete er sich dem bauen von modularen synthesizern und eigenen panels. gleichzeitig komplettierte er “screen memories” in völliger eigenregie in seinem abgeschiedenen zuhause, der so genannten funny farm in minnesota. der erste vorgeschmack des resultates war ende august mit dem album-opener “the combine” zu hören. darin singt maus mit sonorer stimme und im charmant-elektronischen barock-soundkleid: “it’s going to dust us all to nothing, man. i see the combine coming.”

pressing on orange coloured vinyl.

canoe 004, nyra is back wearing nothing but swimming trunks, don t paddle about, jump and shout.

a 1997 wu-tang classic back on audiophile 180 gram 4x12 inch vinyl.

the score is written and produced by daniel pemberton, an english ivor novello award-winning, golden globe award and multi bafta award-nominated composer. the soundtrack features mercury prize winner and folk musician sam lee.
limited first pressing of 1000 numbered copies on gold 180 gram audiophile vinyl.

since jim coles took on the mantle of om unit, the english producer has sought to challenge himself and his audience by going beyond the confines of genres and styles he has so far explored. in the process he has found success by striving for more feeling, for a more human and daring electronic music. this journey continues with ‘self’, coles’ third album as om unit and a true follow-up to his 2013 debut ‘threads’.
‘self’ captures coles in a period of growth, change, and experimentation. inspired by personal psychological and emotional healing work, and a vision of the self as an egg — which coles later on discovered is a jungian archetype — the album blends dubwise, bass-heavy music with the space of experimental ambient compositions and the daring imagination of a cold wave science fiction soundtrack.
the first om unit album on coles’ own cosmic bridge label, ‘self’ offers new forms amid familiar touches. stripping away what people might expect, coles deconstructed and reimagined his work so far as a challenge to himself and, in turn, to his fans.

2020 repress on silver & black mixed 180 gram triple vinyl, housed in full colour sleeve with download code included. 15 years of prspct is nothing to be taken lightly... 12 tracks by 29 prspct artists. for sure the drum & bass/hardcore/breakcore album of 2017!

belgium based fabrice lig is nothing else than a phenomenon of techno music.

it’s time to celebrate, nothing less than 50 releases spread along 17 years of existence. for this very reason we have planned this awesome remixes pack, split in two ep’s based in the limited clear vinyl pattern series originals.
the first ep comes with remakes by the hands of silent servant, kanding ray and cassegrain.
silent servant provides an always dark, always monotonous, always semi industrial and stripped down rework of color, a wonderful mixing tool. while kanding ray ads floating pads and flanging sequences taking the original form to cosmic new age territories. cassegrain focuses on the beat content of texture, making an almost strictly percussive workout aimed straight to the dancefloor.

after a first year of activity with 3 beautiful single reissues, sol discos presents its first album, with the compilation message in our music, selected by waxist. focusing on modern-soul genre, the selection ranges from 1976 to 1983 and gathers a nice selection of independent and private press records, all officially licensed.

jazzman records releases the third volume of its jukebox mambo compilation series, artfully selected by dj liam large. a journey through the popular american music of the 1950s influenced by exotic rumba and afro-latin seasoned rhythm and blues. featuring rarities and unearthed gems from percy mayfield, roy gaines, chuz alfred, monogram caribbean orchestra, and many more. the twenty-four track compilation comes complete with in-depth track notes and photographs, as well as a deluxe double vinyl edition with gatefold sleeve, and a super limited edition vintage style 6 x 10inch book set with unique artwork and four exclusive bonus tracks

mark and clive ives have been prime examples of the second life reissue culture can give previously under-appreciated artists, and emotional rescue have been one of the key labels to support the enigmatic brothers from london. as with previous reissues, -a la luna- presents the delicate, naive yet deep sound of woo across a long form album that invites you on a curious journey of discovery. with a melodic instinct bordering on exotica, and unique range of instruments in the sound palette and a dreamlike approach to processing, there s nothing out there that sounds quite like woo, and as ever it s a joy to delve into their sound world and leave more earthly familiarities behind.

after mukatsuku records summer hammond organ screamer from billy hawks (mukat 052) the label goes deep on an international funk tip. few years ago label manager nik played in france and the promoter pulled out a biosis now 45 that he never knew existed up till then and was generally thought to be a long album track only. an extensive search revealed nothing online including popsike/discogs/ebay except a tropical seller who d just bought a huge caribbean collection with the record included saying he d never seen it before either and he was keeping itâ&#128,¦failing to secure a copy themselves the label licensed it instead and created their own 45 edit which retains all the funk & soul of the elongated album version into a 7 inch friendly format. on the flipside and 1973 tumba safari from afro train get s a funky afrobeat re touch for peak time club play that would save you several hundred pounds on an original if you could actually find a copy !

special edition white double vinyl release of sam smiths new album. housed in a gatefold sleeve with download code included.

“i’ve said it before, but dancehall and its influence on uk music has been a massive inspiration for me, going way back to hearing chris goldfinger on radio 1 playing music that was like nothing else i’d heard before. i love that fundamental rhythmic pattern, and i love how within the same world you can have some tunes that are built around the sweetest melodies and harmonies, and others that are built around super-tuff minimal drums and crazy squeeks and bleeps.
when it came time to build another ep for critical, i decided to link up with my good friend and long-time collaborator rider shafique, who has a much deeper knowledge of this music than me, and together create something that references both old and new dancehall, while still being playable in the kinds of sets i ve become known for. there’s no halftime and no chopped-up jungle breaks here - we wanted to make something really focussed and even disciplined - and hopefully we’ve succeeded.
big shouts to the vocal collaborators - super hyped to work with stush on a tune, irah came through with the righteous fire, and tiffanie malvo absolutely bodied her beat - but ultimate biggups have to go to rider. this wasn’t a project where i made the beats and rider voiced them - for pretty much every tune, we worked and reworked the riddims together. we’re both stoked on the results, and it seems like people in the dance feel the same way.” - sam binga

“veil of flames” is the second solo ep by label head kastil in 2017 after the successful “the sadistic abbess” earlier this year.
threading through the corn fields, wearing nothing but a cotton scarf, her body is like an abstract painting. he who beholds her with unpure sentiments, sees not what she is made of.
her fierce complexion radiates briefly before she speeds up her motions. out of breath she arrives at the altar of affection. she won’t sacrifice her decency for a chance to be with god.

more strictly rhythm gold right here. an all-time, hands down, unstoppable classic record from way back - 1995 to be precise. if you don t know this record it s possible you ve been in a coma, living in a cave with no electricity or have literally just arrived here on planet earth. either way, once you hear higher state of consciousness you certainly won t forget it. produced by philly s legendary josh wink and released by the forward thinking a&r team at strictly. at the time there was very little to nothing that even came close to this release. the tweekin acid funk mix being the highlight and the version that caught everyone s ears and captured minds worldwide across radio-waves with endless rewinds on mtv and in the clubs. foreseeing the impending breaks boom that came around in the mid to late 90 s higher state... was one of those rare moments where a record truly transcends genre boundaries and found it s way into dj s boxes and bags on every scene. a mighty, evergreen slab of wigged out, acidic, breakbeat chaos. essential. this one s a tasty 2017 reissue and remaster, featuring all 3 mixes, unedited, as per the original release way back when. do not sleep.

pathway traxx strikes again with this vinyl only underground bomb featuring 2 of the hottest stars in the underground scene, jack wickham and michael james. this 4 track ep delivers punchy underground sounds all designed for the dancefloor. label boss niko maxen serves up both original tracks spanning rolling romanian tech, through to pumping house inspired minimal. jack wickhams rework of the original falls right into his signature sound that has seen his tracks become the staple diet of artists such as raresh and rhadoo. michael james steps up to remix duties on the track cobra and gives us a perfect example of why he is being chased down by some of the biggest underground labels around. this ep is nothing short of an all round banger!

die brandneue ep -have you been there, have you seen it-, die nun bei ninja tune erscheint, findet eine helena hauff in atemberaubender form vor, die vier geschmeidige, muskulöse und unverhohlen dunkle analoge exkursionen präsentiert, die sie in ihrem studio in hamburg aufgenommen hat. eine sehr respektierte produzentin zum einen, besteht andererseits der kern von helena hauffs persönlichkeit aus ihrer hingabe und ihrem offenbar angeborenen talent für das dj-handwerk. gefeiert für ihre fähigkeiten und ihre einzigartige auswahl, erlebte sie in den vergangenen zwei jahren einen kometenhaften aufstieg, u.a. mit einer bbc radio 1 residency, mit ihrem ersten bbc radio 1 essential mix oder mit dem jetzt schon legendären b2b-set auf dem diesjährigen sónar mit ben ufo. zudem zierte sie u.a. das cover von crack magazine, dj mag oder der zweiten ausgabe des deutschen bookazines vinyl stories.
- 12-: schwarzes standardvinyl, coverdesign von carlo miozzi

everything is sound in the material world. you and me, we are vibrations sampling, strife and spirituality three notions that form the basics of eduardos lifestyle. de la calle is back on forbidden colours, again flaunting his connection with el_txef_a. the release consists of three original cuts. on the a side at 45 rpm is the energy and freneticism of hobsons choice : because a person may refuse to accept what is offered, the two options are taking it or taking nothing on the b side, the sublime paradox of choice leads with a strange kick loop and astral synthesizers followed by transportation forecasting, where a classic 4x4 kick is paired with analog recordings to depict a more colorful setting. my love wears forbidden colours my life believes my love wears forbidden colours my life believes in you once again

applause, applause! your hands are in chains but you still enjoyed the show. drowned records is bringing you a qnete jam that can be described as nothing else but a psycho banger . included is also a second version of the track, milkshaking the original for a more fruity fun affair. finally, leibniz dark remix is slowing things down a little hitting all drumheads with every extremity and other strange things. clap clap!

what about this love is not only a famous larry heard song but now it s also a house music label. the first release sees the detroit outsider javonntte and the berliner-italian deep88 on a real underground raw house song, matching the detroit soul house with the rawness and liveness of the italian producer, creating an epic vocal track, something that could have been made in the golden age of house music. on the flip there s the melchior sultana treatment, a name that is rising release after release thanks to his works and nothing else, playing all the kinds of instruments and being able of using sequencers and drum machines creating a perfect balance between a real musician and a serious house producer, add to all this a deep88 remix and a javonntte amazing dub version and the watl01 is served. more to come.

aiby returns to vizual with an amazing ep, albeit without the noise. this solo project is deep, dark and freaky and showcases aiby’s love for vintage gear. yet there’s nothing old about these tracks — aiby’s sound is fresh and forward looking with hard driving beats that have just the right amount of wiggle. these tracks sound great played loud and are perfect for deep and dirty late nites. a forthcoming iz & diz remix of “you need a freak” will round out the project quite nicely.

on the spectrum does, new york avant-rock musicians che chen and robbie lee create three earthy and slow moving pieces, informed as much by various global folk traditions as they are by 20th century composition and improvisation.their ‘anything goes approach to improvising leads to a sonic document that sounds raw, intense and freshly exciting. a wild and shambolic brew sounding like nothing else.